December 2017 
Javier Quislant echoing sinuosity, für Saxophon, Viola, Akkordeon und Kontrabass (2016/17, Auftragskomposition, UA) Sehyung Kim Qi II, für einen Akkordeonisten (2012) Mauro Hertig Slope Motion, für Kontrabass solo (2016/17, Auftragskomposition, UA) Georges Aperghis Rasch, Version für Viola und Saxophon (2001) Anahita Abbasi Distorted Attitudes V / Coinciding Destinations, für Saxophon, Viola, Akkordeon und Kontrabass (2016/17,…
Find out more » February 2018 
„DISTORTED ATTITUDES“ Pablo CARRASCOSA (ES): Slicing (austrian premiere) Wen LIU (CN/AT): Impossibility of Being Still Oren BONEH (CA/US): L’attente du visage (austrian premiere) Alexander WAGENDRISTEL (AT):IGNORANCE IS STRENGTH (world premiere) Steffen KREBBER (DE): Konfusion IV (austrian premiere) Anahita ABBASI (AT/IR): Distorted Attitudes II (Labyrinth) Reconsil Alfred Melichar, accordion Yalda Zamani, conductor
Find out more » March 2018 
Ensemble BlauerReiter : Code modern #8 Mare Nostrum: Abbasi, Jabri, Odeh-Tamimi, Sánchez-Verdú Leitung Armando Merino Mare Nostrum – ein identitätsstiftender Kulturraum, im Römischen Reich erhielt das heutige Mittelmeer den Namen „unser Meer” – und bezeichnete jene Region, in der die westliche Kultur geboren wurde. Im 21. Jahrhundert ist es Schauplatz einer Migrationswelle aus den armen,…
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Showcasing over 100 of the Bay Area’s most talented young instrumentalists, the San Francisco Symphony Youth Orchestra performs great masterpieces of the symphony repertory along with a world premiere by Anahita Abbasi.
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Mahan Esfahani makes his debut at the Fundacio Juan March (following a cancellation of his recital in the 2015-16 season due to illness), in a recital of works by Rameau, Couperin, and two works written for him: Kevin Volans‘ ‚L’Africaine‘ (2016) and a work for electronics and harpsichord by Anahita Abbasi (2018).
Find out more » April 2018 
About the Show The Iranian Female Composers Association (IFCA) holds their launch concert, presenting the music of Iranian women composers who are active throughout the world. Established in 2017 by three female identifying Iranian composers—Anahita Abbasi, Niloufar Nourbakhsh and Aida Shirazi—in response to a lack of mentorship opportunity in the Iranian community for women, the…
Find out more » July 2018 
Flutist Ine Vanoeveren will premiere a new work by Anahita Abbasi as part of the „No Medici“ project at the 2018 Darmstadt Ferienkurse.
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Andrew Nathaniel McIntosh: Forgotten Tunings Bridging the worlds of Baroque and experimental practices, Andrew Nathaniel McIntosh performs selections from Heinrich Biber’s “Rosary Sonatas,” a series of works each with different violin tunings that was all but lost from their composition in c. 1676 until the 20th century. Interspersed with these sonatas are pieces by experimental…
Find out more » September 2018 
Inspired by Nam June Paik’s TV Clock, violinist Andrew McIntosh brings a program of music about space, light, and the passing of time to SBMA. Situated in front of Paik’s work, four wild Up violinists perform elegant and visceral works by Anahita Abbasi, John Cage, Tashi Wada, and Steve Reich. Reservations are required as seating…
Find out more » October 2018 
18h Duo Dimensions Helena Otero Correa, saxophone Eunji Han, piano with the participation of Lara Oyedepo, percussion F. Martin: Ballad for alto saxophone and orchestra (arrangement) A. Abbasi: Moving Surfaces III / Another Birth E. Denisov: Sonata for alto saxophone and piano Free event
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